Everything made here,
in one place.

Every visual in the lab, one per screen, rendered live. One tap marks it and moves to the next. Swipe left for don't like, right for like. Your shortlist is saved and waiting whenever you come back.

Nine finishes down the side, five kinds of surface across the top, every square running live at the same setting. Tap squares to pick them and your picks turn into a written order.

The same prompt through five image-generation models side by side, each scored for how straight it keeps its geometry. Includes the straight answer on whether models can be layered, and a bench that combines two of them.

The original range catalogue — forty-seven motion treatments across seven families. The library everything else in the lab draws from.

Twelve unrelated subjects — a market tape, an espresso shot, a storm cell, a crowd rally, a kiln firing — each run through ten treatments, to prove the treatments do not care what they are applied to.

One subject, the swing wake, through fourteen treatments on a single shared clock — so the materials can be compared honestly rather than one at a time.

The machined-gold reference piece: pendulum sweep through impact, measurement samples resolving, the datum landing at 0.000.

Chasing the glittery swing you liked, with the club removed. Eight different sparkle physics running on one shared swing so you can pick the material.

Six candidate arc geometries for the mark's path. This is the one waiting on you to choose a shape before it can be turned into components.

One pacing engine driving fourteen treatments in unison. Change the breathing pattern and the whole wall changes together.

The core that actually breathes rather than just pulsing: a real lung curve, air drawn in and released, phase rings, and a hook for haptics.

The complete cycle carried visually — inhale, hold, exhale, hold — not just the inhale. Switch between box breathing, a relaxing pattern and a coherent one.

Fourteen chart types animating real data — candles forming live, stacked area, bar race, heatmap, sankey with travelling particles, volume profile, sparkline grid, radar overlay, treemap reflow — plus a table that re-ranks itself as the numbers move.

Where price sits against the whole fan of moving averages, eight ways — the rubber bands with a tension gauge, the heartbeat in nine tones of one hue, stack heat that deepens as pairs invert (full bar = the oversold mark), the 50/200 cloud that opens into detail, plus the ladder, the pipe, the fall and the braid. Replay runs the tape through every view — and the tape is LIVE now: real dividend-adjusted AAPL closes, with the dummy tape standing in only if the feed is unreachable.

One state — how stretched the fan is — read twelve ways: a spring, a breathing core, an iris, nine bars, droplets, a gauge, a column, a pulse strip, glitter that erupts on movement, grain that coarsens, a halo, and the plain word. Live AAPL closes; every tile mounts alone for the hub.

Your thirteen names with fixed numbers. Pick a column, pick one of five movements, watch the same re-sort each way — plus the every-column-as-±1 rule, near-tie holding and ghosts, each with a plain line saying what it does.

The house treatments run over photographic subjects instead of abstract ones, so you can see what each one actually does to a real image.

The small interface pieces — dials, meters, toggles and readouts — with hooks for haptic feedback and subtle tones.

Background, subject, telemetry and type treated as separate layers, so any look can be described as a stack rather than a picture.

The same grammar with real depth: true perspective, depth sorting, depth-cued light. Drag any tile to orbit it.

A whole theme taken to the detail level — nine colours read off real material, five type roles, and the finish shown on the mark, a photograph, a chart and an interface panel.

One treatment applied to four different kinds of surface at exactly the same measured level, proving a quality setting carries across. The legibility limits are enforced by the engine so nothing can be pushed past readable.

The written procedure for moving a finish onto a surface it was not designed for: six steps, the contract, a live four-stage pipeline you can drive, and a checklist to sign off a new surface.

The full brand-revamp proposal as a living document rather than a deck — thesis, foundation, motion grammar, layer architecture, rollout, and the decisions needed from you.

The previous index, with a live thumbnail for every piece and a table of which treatments mix with which. This page replaces it as the way in, but it is still the best place to see everything moving at once.

The original bench, before the legibility limits were built into the engine. Kept so the change is visible.

The earlier layer piece: four canvases wired together like command-line tools, where every composite is a recipe you can write down.

The very first way in, from before the catalogue existed.

The second attempt at a way in, kept alongside the first.